Wednesday, 29 December 2010

Wishful dreams Crappy days


I dream a dream today
A dream of going somewhere someday
A land where daydreamers are free to dream
Of going somewhere, anywhere, everywhere, any day

I dream of reading an Ode yesterday
An unfinished script an ode to a poet
Who writes to pass the day
Days just like today, yesterday and any other day

I might dream another dream tomorrow
Dreams that may or might be a dream I’ve dreamed
I wish it will be a dream I wish to dream
A dream I can dream about in my dreams

I wish I’m dreaming a wishful dream right now
Of vibrant places of exotic locales
Of beautiful people of friendlier faces
Of open skies of sunny, cool winds
Where every blade of grass is green and pristine
Where every fleck of snow is not bitingly cold
Where every ray of sun does not sting
Where the water is clear, warm and soothing
Every breath of air breathlessly clean

A place
I wish I be
Right now right here
Instead of just a wishful dream
I dream of daydreaming

Tuesday, 14 December 2010

Decisive Nincompoops

All riled up from reading Sakmongkol AK47 “Truth is the ultimate blade to cut the crap”.

This once subversively-popular song springs to mind immediately. Links to follow if I'm "rajin" (Is there an English equivalent ?) enough.

Aku Bukan Musuh Harta - Kopratasa

Mereka kata :
Mengapa kita tidak kaya raya?
Tengoklah si fulan itu,bermewahan saja..
Aku bertanya : apakah caranya untuk aku kaya?
Tapi.. secara mulia dan tanpa berdusta

Bukan kita tidak tahu
Jalan, denai dan liku
Agar harta ditemu dan disapu
Tapi semuanya cara palsu dan tipu..
Bukan kita tidak mahu,
Tapi kita tidak mampu,

Takut dan terkedu
Mengenangkan Yang Maha Satu
Yang Tiada BagiNya sekutu

Ya, telah kaya para pengkhianat,
Dengan harta yang sarat,
Tapi mereka lupa akhirat,
Balasan yang berat,
Dunia, jiwa bertukar menjadi keparat

Ya, telah kaya para pendusta,
Syarat mereka : lupakan Yang Esa,
Harta rakyat, semua disebat
Harta awam, semua dibekam
Hukum syaitan, mereka bertuhan

Kita pun ingin kaya,
Ada harta, ada kereta yang istimewa,
Ada rumah mewah yang melimpah,
Ada hidangan yang bukan sebarangan,
Ada duit yang bukan sedikit

Tapi, jalannya hendaklah suci,
Bukan seperti seorang pencuri,
Jika ada jalan yang mulia,
Di hujungnya ada harta,
Tunjukkan kita, di mana saja
Kita bukan musuh harta,
Kita cuma musuh pengkhianat bangsa
Dan Negara,
Apatah lagi pengkhianat agama..

Dari Puisi Dr Asri

Thursday, 9 December 2010

Dubious Duds


Yann Martel’s Beatrice and Virgil starts like a foreward and that alone got me hooked to dwelve further. Brilliant gambit, if I may say so.

Actually, it was initially the size (actually lack) of B & V which prompted me to pick it from the tens of titles lining The Times Book Store’s “New Arrival” shelf during a lunch break.

Ever seen George Orwell’s Animal Farm? B & V is about the same size.

The summary on the back cover (Blurb, is it?) doesn’t tell you much about the storyline, except that it involved an author, a taxidermist, a donkey and a monkey.

It was only upon Googling the title up later that I came to know B & V was part fiction part allegory on the Holocaust (look it up if you don’t know what this word means).

A few reviewers compared Martel with M. Night Shyamalan.

(Not the “I see dead people” Shyamalan. The Happening and The Last Airbender etc Shyamalan.

Yes; the one (or two) hit wonder.
)

Having found Martel’s writing style to my liking, I was quite flabbergasted with the bad press. Could it really be THAT bad a book?

Writing is a tedious, lonely job.

Writers hope to excite, to enthrall, to give hours of page-turning moments, to provide imaginative avenues and probing insights, or to simply to help readers pass dreadful waits.

For your work to be called a dud is certainly a downer. Especially if you slogged long and hard to come out with your so-called masterpiece.

I suppose Martel took all the criticism in stride as he did mentioned somewhere of working on another tale. Kudos to him.

According to Stephen King, writers are needy. He’s probably correct. Otherwise why do you spend hours, months and, even, years writing, rewriting to get it right for the reader, even if they are purely imaginary?

So, will I be getting the book then?

I’m thinking I will after all.

It might not be are emotionally charged as one of Leon Uris’s epic, but a book that can pass the hours in minutes is worthy of the attention span.